Alyssa Cole’s A Prince on Paper is the third full length novel in her Reluctant Royals series. I loved A Princess in Theory. I loved, loved, loved A Duke by Default. And I couldn’t wait for A Prince on Paper to come out. I preordered it the minute I finished A Duke by Default. Continue Reading
Can’t Escape Love is a novella in Alyssa Cole’s Reluctant Royals series. It follows Reggie, twin sister of A Duke by Default heroine Portia. Reggie is a geek with mobility devices, and falls for Gus, puzzle aficionado and escape room designer on the autism spectrum.
Without knowing, they had a vital influence on each other’s life, pushing them to pursue their passions, without ever even seeing each other. That’s the beauty of the internet right there! Without fandom and the friends I made through it, I wouldn’t be here writing either. Continue Reading
When I told my grandfather that I am writing romance, he made a face and said I should rather write something real, and serious. As if stories concentrating on love and relationships aren’t real and something you shouldn’t waste your time with. It’s an opinion about genre fiction you get to hear all the time, mostly without having asked for it. It’s so entrenched that I still felt I had to apologize for writing it when I had long realized that those are the stories I’m drawn to. I end up writing them over and over again. It’s also the stories I have been reading all my life, so no big surprise there.
I was ashamed of reading romance all my life, too. The cheesy covers sure were no help in lessening the stigma. Each time I got a new one at the railway station kiosk or the supermarket, marked down in price for being remaindered, I fixed my eyes on the floor and avoided to meet anyone’s eyes – especially those of the cashier – at all costs. But the thirst was real, and I needed a new romance novel every few days. I still have them all, cluttering the lower shelves of my bookcases. They’re hidden behind more *respectable* reading material. For some reason, I don’t manage to get rid of them. I haven’t bought a new romance book in a while, but that doesn’t mean I don’t pull out some Christina Dodd, Amanda Quick or Eloisa James once in a while and reread my favorites.
Those books made me feel when nothing else could. I found comfort in stories of feisty heroines fighting for their right to love and to live like they wanted. I found strength in their defiance, and, let’s be real, I discovered more than one kink between the pages of paperback love. So why should I be ashamed of my love of romance? Why are the words about love and two people finding each other and overcoming their differences and conflicts lesser in worth than other words? Lesser even than other genre fiction like Sci-Fi or Crime? Sure, not every genre novel is a literary gem, but that doesn’t mean that the genre as a whole is trash. I still think that Anne Golon’s Angélique series is among some of the best books I ever read, and it was marketed as romance for lack of a better label.
Romance novels aren’t just about love and, well, romance. They’re about women, and for women, and that’s probably the thing that makes them *less* than your average fiction written by the average white male dude. Sexism is as strong in publishing as it is as anywhere else – just take a look at Young Adult fiction.
It’s no surprise, I think, that it’s my grandfather criticizing my choices in the stories I write. He’s someone who certainly never even touched a romance novel and judges the genre as a whole by its cover. I found the opinion so deeply ingrained in myself that I defended my writing of romance to a former – male – lecturer from my university with the apologetic words of “Someone has to write it.”
“I know,” he said. He, for his part, is an unapologetic, avid reader of romance.
I’m still working on emancipating myself from prejudice. Now that I accepted my fate, so to speak, accepted that stories about love and overcoming conflict are not only my jam in reading but also the thing I write most passionately about, I had to do some soul-searching. I had to face the root of my hesitance and my prejudices and question their origins. Once I became aware of the systemic sexism in the publishing industry and the underlying devaluation of women’s words and stories, I refused to let myself feel ashamed for it any longer.
I’m no longer apologetic of my writing, and I no longer hide the covers of the books I read.